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Intriguingly, Fukunaga and his resourceful cinematographer Adriano Goldman visually constrict much of the initial action by tightly composing images of Jane with the use of curtains, door frames and so on, which intensely focuses attention on the characters’ faces and the way they regard and perceive one another. Prefacing the linear story with the grown Jane’s distressed flight from a grand house and eventual rescue by a parson ( Jamie Bell) and his two sisters, scenarist Moira Buffini ( Tamara Drewe) boils down the heroine’s unfortunate early years to the bare minimum: her ouster from the lavish home of her hateful aunt ( Sally Hawkins) and consignment to the Dickensian horrors of the Lowood charity school for girls, where her best friend dies in her arms. They’re both descriptive of the determination to create something from nothing without compromising one’s integrity and sense of self-worth. But while set in very different times and places, the two stories are very close at their cores, having to do with surviving harsh environments, ill-intentioned individuals and ghastly deprivation on the road to finding a suitable home and a desirable life. for director Cary Joji Fukunaga to abruptly turn to 19th century English lit costume fare might seem initially perplexing. On the heels of his impressive debut with the markedly contemporary Sin Nombre - a vivid depiction of Central American immigrants struggling across Mexico on their way to the U.S. Less melodramatic than most adaptations of this tough-minded story of an orphan girl’s arduous journey into womanhood in rural England, the Focus release should elicit particularly ardent reactions from student-aged females and looks poised for a reasonable commercial career on the multiplex great-books circuit.
JANE EYRE MOVIE 1944 TV
Despite two TV versions in the interim, the 15-year gap since the most recent one had clearly become insupportable, so now the breach has been filled by this moody, smartly handled adaptation justifiably built around Mia Wasikowska, who broke through in last year’s rendition of the equally perennial Alice in Wonderland.
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Between 19, 18 feature films based on Charlotte Bronte‘s durable 1847 novel Jane Eyre were produced, or one less than every five years.